Why film?
Film is an interesting subject.
I would expect a photographer that never had the chance to use a digital camera to be blown away at some of their features. I expect they would be surprised film has remained as popular as it is.
When I started my deep dive into photography, I fully expected to stick with digital. It is quicker, easier, and the capabilities of modern camera bodies allow me to take pictures that would be almost impossible on a film camera.
So why do I offer it?
Because it is a different way of photographing. The experience for me and you (should you ever book a film session) is different. It is slower. It is more intentional.
Everything matters, and it begins with a film stock. Scroll through the photos below to see a few of the film stocks I have worked with. Each will have a small caption with which film was used and some things to note about each.
Kodak Gold 200. One of my favorites to work with, note the warm tones in the highlights.
Kodak Gold 200. A bit closer this time. Notice the detail in the trim and the fine grain.
Kodak Ultramax 400. Here the grain is much more pronounced, but detail in the light post and aircraft is not sacrificed
Cinestill 800T. Here the grain is most pronounced, and the colors render differently. Notice how the different lights have reddish halos.
Why it matters.
Different films will bring different looks. This is the first place I start when planning a film photoshoot. Do you want warmer tones? Do you want a gritty look? Do you want to experiment with different colors?
The film stock is the baseline. Combined with an intentional approach to composing, a curated and unique feel will unite each of the photographs from your session.
It's a tool along with the lenses and camera body that allow me to create images with an impact.